Mono @ TSI
photos and text by Adrienne Moore

Engrish still sounds like English and MONO, live, still sounds like MONO.

MONO, a four-piece instrumental rock band from Japan, played to a solid crowd last night at TSI following Sounds Trains Make, Grails and Worlds End Girlfriend. The result was a cinematic production of layered guitar melodies and varied rhythms suggestive of Texas post-rock band Explosions in the Sky.

At midnight, MONO took the stage and bassist Tamaki, lone female, commanded the attention of the audience despite a petite stature and monochromatic black attire. Guitarists Taka Goto and Yoda stood on either side of Tamaki and drummer Yasunori Takada played in back. The band kept a low profile on stage focusing on instruments and pedals and creating a mature appearance.

The music was characterized by long crescendos followed by powerful climaxes that became painfully loud, as indicated throughout the audience by fingers in ears. MONO produced a sound not unlike what is found in their albums, only more intense and dramatic because of their physical involvement in the music.

The reaction of the show-goers was varied throughout the set; some people swayed and some thrashed about, particularly as the volume grew. In between songs, a voice shouted, “Turn it up!” from the back of the crowd, which seemed inappropriate after seven minutes of strict concentration. By the end of the night, I was acutely involved in the sound and production on stage. I left unable to hear, but the affect was worth it.

MONO is more than halfway through their U.S. tour and will be playing in Birmingham, Ala. tonight. I have a feeling their final performance at the Bowery Ballroom on May 17 will be one of their best.

The Flames Beyond the Cold Mountain (mp3)
Official Mono website
Mono Myspace

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